South is now available in Kindle Unlimited. If you’re a member, you know what that means: South is now one of the bazillion books you can read on your Kindle as part of your monthly subscription. What does it mean … Continue reading →
As opposed to a boy or girl. Chasing Clay released today! As you can see above, it’s available on Kindle and Kindle Unlimited, and in trade paperback. However you get it, I hope you enjoy it. Happy reading!
Continue reading →Yes, I know. I never call, I never write. Beta readers are the folks who get to read the book after the worst problems have been worked out but before it’s ready for publication. Don’t envy them too much — … Continue reading →
This is the final cover for The Collection. It’s surprising how consistently this version was the first pick for the people I asked, including my favorite indie bookstore owner. It reminds me of 1960s Saul Bass movie posters — appropriate, since … Continue reading →
If you can, please do me a favor: go to my Facebook author page and look at the latest cover concepts for The Collection. (It’s a public page, so you don’t need to belong to Facebook to see it.) The … Continue reading →
The wheels are rolling on The Collection. I’ve applied for a copyright; I have working Kindle and ePub editions; and the cover art is underway. I’ve tentatively set 31 October as the release date — we’ll see if everything comes … Continue reading →
Remember The Collection? The first installment in my new DeWitt Agency art-crime series? Yeah, maybe not so much. What happened to that, anyway? What happened is that I started querying agents, a process that hasn’t improved since the last time … Continue reading →
The Murder Lab blog just put up the missing second part of The Second Time Around, my accounting of what the second-time publishing experience was like for me. Some things changed, some didn’t, and as in life, it wasn’t always … Continue reading →
The Murder Lab blog just put up Part 1 of The Second Time Around, my accounting of what the second-time publishing experience was like for me. Some things changed, some didn’t, and as in life, it wasn’t always the right … Continue reading →
In case you’ve been wondering (a) why the Burrow has been so quiet lately, and (b) what’s happening with South, you’re in luck: the answer is the same for both questions. I’m on final approach with editing South. It’s made … Continue reading →
